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PT Actualidad del arte
Descubre la actualidad del arte a través de las novedades de El Apartamento. Conoce noticias relacionadas con artistas, exposiciones, ferias, proyectos y acontecimientos vinculados con la programación de la galería y el panorama artístico contemporáneo.
Todo lo que no hay que perderse de Apertura Gallery Weekend, según los que más saben: los artistas
Vogue
La temporada artística tiene una fecha muy concreta de arranque en Madrid: la que marca Apertura Gallery Weekend, el evento que da el pistoletazo de salida a las citas culturales en la ciudad después del parón estival (…) Empezaremos la ruta en nuestra propia casa, El Apartamento (Calle de Puebla, 4) que inauguran con José Bedia y Brenda Carrera, presente y futuro de la pintura cubana.
Diálogos en el desierto
Informed Art
“Diálogos en el desierto” es la primera exposición personal de José Bedia en El Apartamento. La muestra reúne una selección de pinturas, obras sobre papel y textiles que acercan al público algunas de las investigaciones más recientes del artista (…)
El título de la exposición alude a las innumerables expediciones e investigaciones de campo que el artista ha realizado a lo largo de las últimas décadas por distintos territorios de Latinoamérica, el Caribe y algunas regiones de África.
Lowe Art Museum at UM Presents Powerful 200 Years of Afro-Cuban Art
Lowe Art Museum
Cuba is the largest country in the Caribbean. A participant in and of copious universal changes, it’s been ruled in the past by Spain and the U.S. as well as a brief British occupation, creating a multi-cultural heritage heavily augmented by approximately 800,000 enslaved Africans brought mainly from West Africa, close to twice as many as the United States, between 1808 and 1820 during the sugar and coffee boom. A variety of situations and the melding of cultures fueled personal upheaval that conveyed profound depth of creativity to these islands.
Lowe Art Museum unveils world’s largest exhibition of Afro-Cuban art in Coral Gables
Lowe Art Museum
“Afrocubanismo” is a parallel project meant to be viewed in conversation with “El Pasado Mío.” All of the artists featured in this exhibition were racialized as white during their lives, with the exception of Wifredo Lam, a celebrated Afro-Cuban painter, considered by some to be the most prominent — and by others, the only — Afrodescendant artist in Cuba in the 20th century.
Largest Exhibition of Afro-Cuban Art Ever Staged Is Now on View in Miami
Lowe Art Museum
The Lowe Art Museum at the University of Miami is celebrating that legacy with the largest survey of Afro-Cuban art ever staged. Two exhibitions bring together more than 100 works by 58 artists, tracing 200 years of creativity and exploring the many ways African heritage has shaped Cuban art.
Nacho Martín Silva | Tangere
La Térmica
*Tangere* takes its title from a passage written by John Alfred Charlton Deas in *What the Blind May ‘See’: Some Museum and Other Experiments in Tactile Sight*. In this book, the curator of the Sunderland Museum in the UK recounts the experiences generated during a series of pioneering inclusive sessions in which blind people of different genders and ages touched and interacted with objects from the collection. John Alfred Charlton Deas, in describing those episodes, remarked: “To them, their fingers are eyes.”.
Todo lo que no hay que perderse de Apertura Gallery Weekend, según los que más saben: los artistas
Vogue
La temporada artística tiene una fecha muy concreta de arranque en Madrid: la que marca Apertura Gallery Weekend, el evento que da el pistoletazo de salida a las citas culturales en la ciudad después del parón estival (…) Empezaremos la ruta en nuestra propia casa, El Apartamento (Calle de Puebla, 4) que inauguran con José Bedia y Brenda Carrera, presente y futuro de la pintura cubana.
Diálogos en el desierto
Informed Art
“Diálogos en el desierto” es la primera exposición personal de José Bedia en El Apartamento. La muestra reúne una selección de pinturas, obras sobre papel y textiles que acercan al público algunas de las investigaciones más recientes del artista (…)
El título de la exposición alude a las innumerables expediciones e investigaciones de campo que el artista ha realizado a lo largo de las últimas décadas por distintos territorios de Latinoamérica, el Caribe y algunas regiones de África.
Lowe Art Museum at UM Presents Powerful 200 Years of Afro-Cuban Art
Lowe Art Museum
Cuba is the largest country in the Caribbean. A participant in and of copious universal changes, it’s been ruled in the past by Spain and the U.S. as well as a brief British occupation, creating a multi-cultural heritage heavily augmented by approximately 800,000 enslaved Africans brought mainly from West Africa, close to twice as many as the United States, between 1808 and 1820 during the sugar and coffee boom. A variety of situations and the melding of cultures fueled personal upheaval that conveyed profound depth of creativity to these islands.
Lowe Art Museum unveils world’s largest exhibition of Afro-Cuban art in Coral Gables
Lowe Art Museum
“Afrocubanismo” is a parallel project meant to be viewed in conversation with “El Pasado Mío.” All of the artists featured in this exhibition were racialized as white during their lives, with the exception of Wifredo Lam, a celebrated Afro-Cuban painter, considered by some to be the most prominent — and by others, the only — Afrodescendant artist in Cuba in the 20th century.
Largest Exhibition of Afro-Cuban Art Ever Staged Is Now on View in Miami
Lowe Art Museum
The Lowe Art Museum at the University of Miami is celebrating that legacy with the largest survey of Afro-Cuban art ever staged. Two exhibitions bring together more than 100 works by 58 artists, tracing 200 years of creativity and exploring the many ways African heritage has shaped Cuban art.
Nacho Martín Silva | Tangere
La Térmica
*Tangere* takes its title from a passage written by John Alfred Charlton Deas in *What the Blind May ‘See’: Some Museum and Other Experiments in Tactile Sight*. In this book, the curator of the Sunderland Museum in the UK recounts the experiences generated during a series of pioneering inclusive sessions in which blind people of different genders and ages touched and interacted with objects from the collection. John Alfred Charlton Deas, in describing those episodes, remarked: “To them, their fingers are eyes.”.