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Tangere toma el título de una sentencia que escribió John Alfred Charlton Deas en What the Blind May ‘See’: Some Museum and Other Experiments in Tactile Sight. En este libro, el museógrafo del británico Sunderland Museum narra las experiencias generadas en unas pioneras sesiones de inclusividad en las que personas invidentes, de distinto género y edad, tocaban y experimentaban los objetos de la colección. John Alfred Charlton Deas, al describir aquellos episodios, sentenció: To them, their fingers are eyes.
La Térmica inaugura Tangere, una exposición de pintura de Nacho Martín Silva pensada para visitantes ciegos y con discapacidad visual. Esta nueva producción propia, comisariada por Juan Francisco Rueda y desarrollada en colaboración con la Delegación de la ONCE en Málaga, estará abierta al público hasta el 20 de septiembre. Tangere involucra activamente a personas ciegas como colaboradoras en el proyecto, haciendo de la inclusión una parte esencial de la experiencia artística.
La nueva exposición de producción propia, comisariada por Juan Francisco Rueda y desarrollada en colaboración con la Delegación de la ONCE en Málaga, podrá visitarse hasta el próximo 20 de septiembre. 'Tangere' incorpora la participación de personas invidentes como colaboradoras del proyecto, haciendo de la inclusión una parte esencial de la experiencia artística.
On Thursday, May 21, BilbaoArte's Sala URIBITARTE40 will present the book «Algunas posibilidades (a partir de basura y simulacro)» about Miren Doiz's exhibition, which will be on display until May 31. With the participation of the artist herself and Emma Brasó, art historian and curator.
The Center for Artistic Production of the Bilbao City Hall presents the exhibition Algunas posibilidades (a partir de basura y simulacro), by artist Miren Doiz (Pamplona, 1980). The exhibition, which can be visited until May 31 at Sala Uribitarte40, reflects on the logic of production and destruction of materials that defines our times.
Miren Doiz, art, space and society
BONART
The artist from Navarre explores expanded painting and the use of recovered materials to reflect on sustainability, precariousness and contemporary social context in her new exhibition in Bilbao.
Bodies, bodies, bodies: artists revisit the nude in exhibitions around New York
ARTNEWS
At a time of renewed interest in the representation of the body and the nude in contemporary art in New York, Rocío García's work stands out for its provocative exploration of the dynamics of power, desire and sexuality from a narrative and deeply political perspective. Her paintings, charged with erotic tension and symbolism, consolidate her presence as one of the most singular voices in the Cuban art scene today.
Miami's El Espacio 23 Debuts New Exhibition: ‘A World Far Away, Nearby and Invisible’.’
BUSINESS WIRE
The exhibition features nearly 150 works by over 100 artists from the Americas, Europe, Africa, and beyond, representing a broad range of cultural perspectives and artistic traditions. Alongside these international voices, Miami-based artists Nina Surel and Jennifer Basile are featured for the first time in a public institutional setting, highlighting the space's commitment to nurturing local talent. Through painting, sculpture, photography, video, and installations, the show examines territory as both a living organism and a cultural construct shaped by natural forces and human perception.
The Space 23 Exhibition Reimagines Territory and Belonging
ArtBurst
In a city where borders feel permeable and reinvention is a local instinct, El Espacio 23 returns with a timely question: What is territory now? Is it land? History? A wound? A spiritual force? A place we inherit, or a place we imagine? That inquiry anchors “A World Far Away, Nearby and Invisible: Territory Narratives in the Jorge M. Pérez Collection,” the sixth exhibition at the contemporary art space founded by Miami developer, art collector and philanthropist Jorge M. Pérez.
Venice Biennale 2026 Highlights: Off-Site Exhibitions
Art Review
Roberto Diago's Cuban Pavilion brings together rusted iron heads, fragmented wooden figures and small birdhouse-like structures that recall the structures of a shrine, shelter or prison cell. Installed within the rough brick architecture of the Venetian space, the works carry the appearance of things salvaged after collapse: weathered surfaces, patched timbers and bodies assembled from scraps.
At the Cuban Pavilion, a physical and symbolic journey through Afro-descendant memory
Il Giornale Dell'Arte
In a material context, for his participation in the 61st International Art Exhibition of the Venice Biennale, the artist Roberto Diago does not represent black skin as a passive surface, but as an archive of trauma, resistance and survival.
Miren Doiz, art, space and society
BONART
The artist from Navarre explores expanded painting and the use of recovered materials to reflect on sustainability, precariousness and contemporary social context in her new exhibition in Bilbao.
Bodies, bodies, bodies: artists revisit the nude in exhibitions around New York
ARTNEWS
At a time of renewed interest in the representation of the body and the nude in contemporary art in New York, Rocío García's work stands out for its provocative exploration of the dynamics of power, desire and sexuality from a narrative and deeply political perspective. Her paintings, charged with erotic tension and symbolism, consolidate her presence as one of the most singular voices in the Cuban art scene today.
Miami's El Espacio 23 Debuts New Exhibition: ‘A World Far Away, Nearby and Invisible’.’
BUSINESS WIRE
The exhibition features nearly 150 works by over 100 artists from the Americas, Europe, Africa, and beyond, representing a broad range of cultural perspectives and artistic traditions. Alongside these international voices, Miami-based artists Nina Surel and Jennifer Basile are featured for the first time in a public institutional setting, highlighting the space's commitment to nurturing local talent. Through painting, sculpture, photography, video, and installations, the show examines territory as both a living organism and a cultural construct shaped by natural forces and human perception.
The Space 23 Exhibition Reimagines Territory and Belonging
ArtBurst
In a city where borders feel permeable and reinvention is a local instinct, El Espacio 23 returns with a timely question: What is territory now? Is it land? History? A wound? A spiritual force? A place we inherit, or a place we imagine? That inquiry anchors “A World Far Away, Nearby and Invisible: Territory Narratives in the Jorge M. Pérez Collection,” the sixth exhibition at the contemporary art space founded by Miami developer, art collector and philanthropist Jorge M. Pérez.
Venice Biennale 2026 Highlights: Off-Site Exhibitions
Art Review
Roberto Diago's Cuban Pavilion brings together rusted iron heads, fragmented wooden figures and small birdhouse-like structures that recall the structures of a shrine, shelter or prison cell. Installed within the rough brick architecture of the Venetian space, the works carry the appearance of things salvaged after collapse: weathered surfaces, patched timbers and bodies assembled from scraps.
At the Cuban Pavilion, a physical and symbolic journey through Afro-descendant memory
Il Giornale Dell'Arte
In a material context, for his participation in the 61st International Art Exhibition of the Venice Biennale, the artist Roberto Diago does not represent black skin as a passive surface, but as an archive of trauma, resistance and survival.