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"In Depth" es la primera muestra individual de Pozo con El Apartamento en Miami. En 2023 presentó, junto a Hamlet Lavastida, Sociograms en Dot Fiftyone Gallery; y en 2025 participó con Emilia Martín Fierro en Mapas vulnerables, en la Galería de Arte del Miami Dade College, Hialeah Campus. La muestra actual profundiza una poética que ya circulaba en la ciudad.
Como novedad en 2026, la feria presenta una selección de galerías más concentrada y una importante reconfiguración del espacio expositivo. El nuevo diseño, desarrollado a partir de los comentarios de los expositores y del comité de selección, mejora la visibilidad y distribuye las galerías de mayor prestigio por todo el recinto, propiciando una mayor interacción entre propuestas de diferente escala y perfil.
In early September, Madrid’s gallerists and collectors come back to life after a scorching summer lull. El Apartamento’s Madrid space is showing Bedia’s latest series, which explores the violence, mysticism, love, heritage, and nature which gallerist Luis Sicre says can be read as “representative” of Latin America.
En sus nuevos trabajos, que llegarán a España en septiembre con una exposición titulada La pesca —en la galería El Apartamento dentro de Apertura Madrid Gallery Weekend, el evento que inaugura la temporada expositiva y que este año se celebra entre el 10 y el 13 de ese mes—, su paleta cromática se ha oscurecido, y sus prototipos se enfrentan al agua.
"La pesca" es la primera exposición personal de la artista Brenda Cabrera en El Apartamento. La muestra reúne una selección de pinturas recientes e invita al público a adentrarse en el singular imaginario de la artista, resultado de sus investigaciones en torno a la naturaleza del alma humana y a las estructuras de poder que la civilización ha construido para condicionarla.
Apertura Madrid Gallery Weekend celebra, del 10 al 13 de septiembre, su edición más amplia hasta hoy, con sesenta galerías que presentan conjuntamente sus nuevas exposiciones. El cruce de generaciones aparece en El Apartamento, que presenta a dos cubanos, José Bedia y Brenda Cabrera, separados por casi cuatro décadas.
Bodies, bodies, bodies: artists revisit the nude in exhibitions around New York
ARTNEWS
At a time of renewed interest in the representation of the body and the nude in contemporary art in New York, Rocío García's work stands out for its provocative exploration of the dynamics of power, desire and sexuality from a narrative and deeply political perspective. Her paintings, charged with erotic tension and symbolism, consolidate her presence as one of the most singular voices in the Cuban art scene today.
Miami's El Espacio 23 Debuts New Exhibition: ‘A World Far Away, Nearby and Invisible’.’
BUSINESS WIRE
The exhibition features nearly 150 works by over 100 artists from the Americas, Europe, Africa, and beyond, representing a broad range of cultural perspectives and artistic traditions. Alongside these international voices, Miami-based artists Nina Surel and Jennifer Basile are featured for the first time in a public institutional setting, highlighting the space's commitment to nurturing local talent. Through painting, sculpture, photography, video, and installations, the show examines territory as both a living organism and a cultural construct shaped by natural forces and human perception.
The Space 23 Exhibition Reimagines Territory and Belonging
ArtBurst
In a city where borders feel permeable and reinvention is a local instinct, El Espacio 23 returns with a timely question: What is territory now? Is it land? History? A wound? A spiritual force? A place we inherit, or a place we imagine? That inquiry anchors “A World Far Away, Nearby and Invisible: Territory Narratives in the Jorge M. Pérez Collection,” the sixth exhibition at the contemporary art space founded by Miami developer, art collector and philanthropist Jorge M. Pérez.
Venice Biennale 2026 Highlights: Off-Site Exhibitions
Art Review
Roberto Diago's Cuban Pavilion brings together rusted iron heads, fragmented wooden figures and small birdhouse-like structures that recall the structures of a shrine, shelter or prison cell. Installed within the rough brick architecture of the Venetian space, the works carry the appearance of things salvaged after collapse: weathered surfaces, patched timbers and bodies assembled from scraps.
At the Cuban Pavilion, a physical and symbolic journey through Afro-descendant memory
Il Giornale Dell'Arte
In a material context, for his participation in the 61st International Art Exhibition of the Venice Biennale, the artist Roberto Diago does not represent black skin as a passive surface, but as an archive of trauma, resistance and survival.
Writer Carmen Maria Machado Turns Curator for a Subversive New Show in New York: Rocío García
VOGUE
Themes of power, pain, desire, sexuality, and fear animate much of Machado's work as well as García's, making a multimedia collaboration between the two creatives feel especially apropos. Machado, who is also of Cuban descent, notes that while working with García, who lives in Havana, posed certain logistical challenges-“since bringing stuff out of Cuba is pretty hard right now”-encountering the artist's work in person was a revelation.
Bodies, bodies, bodies: artists revisit the nude in exhibitions around New York
ARTNEWS
At a time of renewed interest in the representation of the body and the nude in contemporary art in New York, Rocío García's work stands out for its provocative exploration of the dynamics of power, desire and sexuality from a narrative and deeply political perspective. Her paintings, charged with erotic tension and symbolism, consolidate her presence as one of the most singular voices in the Cuban art scene today.
Miami's El Espacio 23 Debuts New Exhibition: ‘A World Far Away, Nearby and Invisible’.’
BUSINESS WIRE
The exhibition features nearly 150 works by over 100 artists from the Americas, Europe, Africa, and beyond, representing a broad range of cultural perspectives and artistic traditions. Alongside these international voices, Miami-based artists Nina Surel and Jennifer Basile are featured for the first time in a public institutional setting, highlighting the space's commitment to nurturing local talent. Through painting, sculpture, photography, video, and installations, the show examines territory as both a living organism and a cultural construct shaped by natural forces and human perception.
The Space 23 Exhibition Reimagines Territory and Belonging
ArtBurst
In a city where borders feel permeable and reinvention is a local instinct, El Espacio 23 returns with a timely question: What is territory now? Is it land? History? A wound? A spiritual force? A place we inherit, or a place we imagine? That inquiry anchors “A World Far Away, Nearby and Invisible: Territory Narratives in the Jorge M. Pérez Collection,” the sixth exhibition at the contemporary art space founded by Miami developer, art collector and philanthropist Jorge M. Pérez.
Venice Biennale 2026 Highlights: Off-Site Exhibitions
Art Review
Roberto Diago's Cuban Pavilion brings together rusted iron heads, fragmented wooden figures and small birdhouse-like structures that recall the structures of a shrine, shelter or prison cell. Installed within the rough brick architecture of the Venetian space, the works carry the appearance of things salvaged after collapse: weathered surfaces, patched timbers and bodies assembled from scraps.
At the Cuban Pavilion, a physical and symbolic journey through Afro-descendant memory
Il Giornale Dell'Arte
In a material context, for his participation in the 61st International Art Exhibition of the Venice Biennale, the artist Roberto Diago does not represent black skin as a passive surface, but as an archive of trauma, resistance and survival.
Writer Carmen Maria Machado Turns Curator for a Subversive New Show in New York: Rocío García
VOGUE
Themes of power, pain, desire, sexuality, and fear animate much of Machado's work as well as García's, making a multimedia collaboration between the two creatives feel especially apropos. Machado, who is also of Cuban descent, notes that while working with García, who lives in Havana, posed certain logistical challenges-“since bringing stuff out of Cuba is pretty hard right now”-encountering the artist's work in person was a revelation.