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Tangere toma el título de una sentencia que escribió John Alfred Charlton Deas en What the Blind May ‘See’: Some Museum and Other Experiments in Tactile Sight. En este libro, el museógrafo del británico Sunderland Museum narra las experiencias generadas en unas pioneras sesiones de inclusividad en las que personas invidentes, de distinto género y edad, tocaban y experimentaban los objetos de la colección. John Alfred Charlton Deas, al describir aquellos episodios, sentenció: To them, their fingers are eyes.
La Térmica inaugura Tangere, una exposición de pintura de Nacho Martín Silva pensada para visitantes ciegos y con discapacidad visual. Esta nueva producción propia, comisariada por Juan Francisco Rueda y desarrollada en colaboración con la Delegación de la ONCE en Málaga, estará abierta al público hasta el 20 de septiembre. Tangere involucra activamente a personas ciegas como colaboradoras en el proyecto, haciendo de la inclusión una parte esencial de la experiencia artística.
La nueva exposición de producción propia, comisariada por Juan Francisco Rueda y desarrollada en colaboración con la Delegación de la ONCE en Málaga, podrá visitarse hasta el próximo 20 de septiembre. 'Tangere' incorpora la participación de personas invidentes como colaboradoras del proyecto, haciendo de la inclusión una parte esencial de la experiencia artística.
On Thursday, May 21, BilbaoArte's Sala URIBITARTE40 will present the book «Algunas posibilidades (a partir de basura y simulacro)» about Miren Doiz's exhibition, which will be on display until May 31. With the participation of the artist herself and Emma Brasó, art historian and curator.
The Center for Artistic Production of the Bilbao City Hall presents the exhibition Algunas posibilidades (a partir de basura y simulacro), by artist Miren Doiz (Pamplona, 1980). The exhibition, which can be visited until May 31 at Sala Uribitarte40, reflects on the logic of production and destruction of materials that defines our times.
Améfrica. Diasporic connections in the Jorge M. Pérez Collection.
Andalusian Center of Contemporary Art
The exhibition brings together artists from different regions of the American and African continents through shared resonances and references, similar practices, mutual inspirations, research continuities and transmissions -both generational and ancestral- that connect, with a vitality that is sometimes visible and sometimes veiled, the shores of the Atlantic.
A World Far Away, Nearby and Invisible
Space 23
«A World Far Away, Nearby and Invisible» invites viewers on a journey through selected works from the Jorge M. Pérez Collection that explore and reimagine the complex, multifaceted idea of territory. The artists Ariamna Contino and Alex Hernandez, with their unique poetics of creation, are part of the roster.
José Manuel Mesías. Cintas Foundation Fellowship 2025
Informed Art
Artist José Manuel Mesías won the 2025 Cintas Foundation Visual Arts Fellowship Award. The award includes a monetary award and the possibility of a solo exhibition at the MDC Museum.
Gut it, forget it. Invisible Houston
The Ttransart Foundation
For his exhibition at Transart, «Gut It, Forget It. Invisible Houston», Novo created a monumental assemblage consisting in several burnt pieces of furniture with 3D replicas of identified local birds posed on them, ad hoc, here and there.
Raúl Díaz Reyes vindicates at the Párraga in Murcia the beauty of the insinuated as opposed to visual overexposure
Murciaploaza
The exhibition of the Madrid artist Raúl Díaz Reyes invites us to cross a landscape of signs, rhythms and silences. The exhibition, curated by Javier Martín-Jiménez, becomes a space of transit, recollection and revelation.
Views of Venezuela and Cuba from exile
Hyperallergic
An exhibition near Washington D. C. offers an immersion into the recovery of memory and identity in all its fluidity and impermanence.
Améfrica. Diasporic connections in the Jorge M. Pérez Collection.
Andalusian Center of Contemporary Art
The exhibition brings together artists from different regions of the American and African continents through shared resonances and references, similar practices, mutual inspirations, research continuities and transmissions -both generational and ancestral- that connect, with a vitality that is sometimes visible and sometimes veiled, the shores of the Atlantic.
A World Far Away, Nearby and Invisible
Space 23
«A World Far Away, Nearby and Invisible» invites viewers on a journey through selected works from the Jorge M. Pérez Collection that explore and reimagine the complex, multifaceted idea of territory. The artists Ariamna Contino and Alex Hernandez, with their unique poetics of creation, are part of the roster.
José Manuel Mesías. Cintas Foundation Fellowship 2025
Informed Art
Artist José Manuel Mesías won the 2025 Cintas Foundation Visual Arts Fellowship Award. The award includes a monetary award and the possibility of a solo exhibition at the MDC Museum.
Gut it, forget it. Invisible Houston
The Ttransart Foundation
For his exhibition at Transart, «Gut It, Forget It. Invisible Houston», Novo created a monumental assemblage consisting in several burnt pieces of furniture with 3D replicas of identified local birds posed on them, ad hoc, here and there.
Raúl Díaz Reyes vindicates at the Párraga in Murcia the beauty of the insinuated as opposed to visual overexposure
Murciaploaza
The exhibition of the Madrid artist Raúl Díaz Reyes invites us to cross a landscape of signs, rhythms and silences. The exhibition, curated by Javier Martín-Jiménez, becomes a space of transit, recollection and revelation.
Views of Venezuela and Cuba from exile
Hyperallergic
An exhibition near Washington D. C. offers an immersion into the recovery of memory and identity in all its fluidity and impermanence.