This totem-like sculpture is a set of electronic and industrial devices that are commonly used today in the fields of home and organic farming: a hydroponic system, LED lights regulated specifically for cultivation and a weather station equipped to accurately capture the environmental conditions of the site. The interaction of these devices transforms the sculpture into a kind of self-sufficient machinery with two main objectives: on the one hand, to create an ideal environmental system that allows the growth of specific food crops; on the other hand, to record in real time all the environmental characteristics, not of a country or a region, but of a very specific location.

This sculpture can be considered a portable garden, which has already been installed in Mexico City, Miami, Paris, Madrid and now London: a site-specific work that revisits the concept of the expanded field of sculpture, as formulated by the American theorist Rosalind Krauss. Equally significant is the fact that the sculpture generates, through the statistical data it captures in real time, a very precise cartography of our contemporary cities, our domestic spheres and, at this very moment, the scenario in which Frieze London is taking place. The artists will then analyze this statistical material to develop a set of independent works.

The sculpture is part of the project Cartografia Totalalong with three other sculptures, in which the artists have built a series of weather stations equipped with specialized sensors to record environmental variables such as atmospheric humidity, temperature fluctuations and carbon footprint, among others. These indicators allow them to plot a set of proprietary statistics that reflect the human impact on a given environment and the erosion of its ecosystem. The other three sculptures are currently installed in the gardens of the Lázaro Galdiano Museum in Madrid.