EN 
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PT ARCOLisboa 2026
Juan Carlos Alom, Eloy Arribas, Fuentesal Arenillas, José Bedia,
Los Bravú, Ariel Cabrera,
Ariamna Contino & Alex Hernández, Roberto Diago, Miren Doiz, Diana Fonseca, Miki Leal, Reynier Leyva Novo, Nacho Martín Silva, Yornel Martínez, Eduardo Ponjuán
May 28 - 31, 2026
Booth: B05
Cordoaria Nacional, Lisbon
works
Juan Carlos Alom
La fortuna no es liviana (Fortune is not light), 1989
Digital printing from the negative on photographic paper: Moab Juniper Baryta Rag, 305 g/m², 100 % cotton
100 x 100 cm
39 ⅜ x 39 ⅜ in.
Edition of 5 copies plus 2 artist's proofs
100 x 100 cm
39 ⅜ x 39 ⅜ in.
Edition of 5 copies plus 2 artist's proofs
Fuentesal Arenillas
Snails XIII, 2026
cherry wood, resin, acrylic paint, plaster, rope
58 x 50 x 35 cm
22 ⅞ x 19 ¾ x 13 ¾ in.
58 x 50 x 35 cm
22 ⅞ x 19 ¾ x 13 ¾ in.
Juan Carlos Alom
La fortuna no es liviana (Fortune is not light), 1989
Digital printing from the negative on photographic paper: Moab Juniper Baryta Rag, 305 g/m², 100 % cotton
100 x 100 cm
39 ⅜ x 39 ⅜ in.
Edition of 5 copies plus 2 artist's proofs
100 x 100 cm
39 ⅜ x 39 ⅜ in.
Edition of 5 copies plus 2 artist's proofs
Fuentesal Arenillas
Snails XIII, 2026
cherry wood, resin, acrylic paint, plaster, rope
58 x 50 x 35 cm
22 ⅞ x 19 ¾ x 13 ¾ in.
58 x 50 x 35 cm
22 ⅞ x 19 ¾ x 13 ¾ in.
Ariamna Contino & Alex Hernandez
Global distribution of rare earth and critical mineral reserves; planning for the impact of climate change; and AI usage rates for creating memes about political leaders. From the «Total Cartography» series, 2026.
Hand-cut paper, 300 g/m² Fabriano acid-free paperboard
and museum glass
120 x 120 x 6 cm
47 ¼ x 47 ¼ x 2 ⅜ in.
Hand-cut paper, 300 g/m² Fabriano acid-free paperboard
and museum glass
120 x 120 x 6 cm
47 ¼ x 47 ¼ x 2 ⅜ in.
Ariamna Contino & Alex Hernandez
Global distribution of rare earth and critical mineral reserves; planning for the impact of climate change; and AI usage rates for creating memes about political leaders. From the «Total Cartography» series, 2026.
Hand-cut paper, 300 g/m² Fabriano acid-free paperboard
and museum glass
120 x 120 x 6 cm
47 ¼ x 47 ¼ x 2 ⅜ in.
Hand-cut paper, 300 g/m² Fabriano acid-free paperboard
and museum glass
120 x 120 x 6 cm
47 ¼ x 47 ¼ x 2 ⅜ in.
Ariamna Contino
Vergel, 2026
Fabriano 300 g/m² hand-cut paper
120 x 120 x 6 cm
47 ¼ x 47 ¼ x 2 ⅜ in.
120 x 120 x 6 cm
47 ¼ x 47 ¼ x 2 ⅜ in.
Ariamna Contino
Poppies, 2026
Fabriano 300 g/m² hand-cut paper
63 x 63 x 6 cm
24 ¾ x 24 ¾ x 2 ⅜ in.
63 x 63 x 6 cm
24 ¾ x 24 ¾ x 2 ⅜ in.
Ariamna Contino
Vergel, 2026
Fabriano 300 g/m² hand-cut paper
120 x 120 x 6 cm
47 ¼ x 47 ¼ x 2 ⅜ in.
120 x 120 x 6 cm
47 ¼ x 47 ¼ x 2 ⅜ in.
Ariamna Contino
Poppies, 2026
Fabriano 300 g/m² hand-cut paper
63 x 63 x 6 cm
24 ¾ x 24 ¾ x 2 ⅜ in.
63 x 63 x 6 cm
24 ¾ x 24 ¾ x 2 ⅜ in.
Eloy Arribas
The Palace 95, 2026
Strappo, oil and acrylic on canvas
Strappo, oil and acrylic on canvas
95 x 75 cm
37 ⅜ x 29 ½ in.
37 ⅜ x 29 ½ in.
Eloy Arribas
The Palace 96, 2026
Strappo, oil, enamel paint and acrylic on canvas
Strappo, oil, enamel paint and acrylic on canvas
95 x 75 cm
37 ⅜ x 29 ½ in.
37 ⅜ x 29 ½ in.
Eloy Arribas
The Palace 95, 2026
Strappo, oil and acrylic on canvas
Strappo, oil and acrylic on canvas
95 x 75 cm
37 ⅜ x 29 ½ in.
37 ⅜ x 29 ½ in.
Eloy Arribas
The Palace 96, 2026
Strappo, oil, enamel paint and acrylic on canvas
Strappo, oil, enamel paint and acrylic on canvas
95 x 75 cm
37 ⅜ x 29 ½ in.
37 ⅜ x 29 ½ in.
José Bedia
Changó takes his dogs away from Oggún, 2026
Acrylic and mixed media on sackcloth
44 x 59 cm
17 ⅜ x 23 ¼ in.
(Framed)
17 ⅜ x 23 ¼ in.
(Framed)
José Bedia
Here I come surrendered at your feet Baba, 2026
Acrylic and mixed media on sackcloth
44 x 59 cm
17 ⅜ x 23 ¼ in.
(Framed)
17 ⅜ x 23 ¼ in.
(Framed)
José Bedia
Oggún is self-punishing, 2026
Acrylic and mixed media on sackcloth
44 x 59 cm
17 ⅜ x 23 ¼ in.
(Framed)
17 ⅜ x 23 ¼ in.
(Framed)
José Bedia
Changó takes his dogs away from Oggún, 2026
Acrylic and mixed media on sackcloth
44 x 59 cm
17 ⅜ x 23 ¼ in.
(Framed)
17 ⅜ x 23 ¼ in.
(Framed)
José Bedia
Here I come surrendered at your feet Baba, 2026
Acrylic and mixed media on sackcloth
44 x 59 cm
17 ⅜ x 23 ¼ in.
(Framed)
17 ⅜ x 23 ¼ in.
(Framed)
José Bedia
Oggún is self-punishing, 2026
Acrylic and mixed media on sackcloth
44 x 59 cm
17 ⅜ x 23 ¼ in.
(Framed)
17 ⅜ x 23 ¼ in.
(Framed)
The Bravú
Water cloth, 2026
Acrylic on canvas
60 x 50 x 2 cm
23 ⅝ x 19 ¾ x ¾ in.
23 ⅝ x 19 ¾ x ¾ in.
The Bravú
Lily mantle, 2026
Acrylic on canvas
60 x 50 x 2 cm
23 ⅝ x 19 ¾ x ¾ in.
23 ⅝ x 19 ¾ x ¾ in.
The Bravú
Water cloth, 2026
Acrylic on canvas
60 x 50 x 2 cm
23 ⅝ x 19 ¾ x ¾ in.
23 ⅝ x 19 ¾ x ¾ in.
The Bravú
Lily mantle, 2026
Acrylic on canvas
60 x 50 x 2 cm
23 ⅝ x 19 ¾ x ¾ in.
23 ⅝ x 19 ¾ x ¾ in.
Ariel Cabrera
The player, 2026
Oil on linen
120 x 120 cm
47 ¼ x 47 ¼ inches
47 ¼ x 47 ¼ inches
Ariel Cabrera
Idyll No.3, 2026
Oil on linen
120 x 120 cm
47 ¼ x 47 ¼ inches
47 ¼ x 47 ¼ inches
Ariel Cabrera
The player, 2026
Oil on linen
120 x 120 cm
47 ¼ x 47 ¼ inches
47 ¼ x 47 ¼ inches
Ariel Cabrera
Idyll No.3, 2026
Oil on linen
120 x 120 cm
47 ¼ x 47 ¼ inches
47 ¼ x 47 ¼ inches
Roberto Diago
My belongings and I, 2025
Mixed media on reclaimed wood
80 x 120 cm
31 ½ x 47 ¼ inches
31 ½ x 47 ¼ inches
Roberto Diago
Untitled, 2026
Mixed media on canvas
80 x 60 cm
31 ½ x 23 ⅝ in.
31 ½ x 23 ⅝ in.
Roberto Diago
My belongings and I, 2025
Mixed media on reclaimed wood
80 x 120 cm
31 ½ x 47 ¼ inches
31 ½ x 47 ¼ inches
Roberto Diago
Untitled, 2026
Mixed media on canvas
80 x 60 cm
31 ½ x 23 ⅝ in.
31 ½ x 23 ⅝ in.
Miren Doiz
Untitled (End it all to start over), 2025
Wood, paper, ceramics and paint
60 x 52 x 12 cm
23 ⅝ x 20 ½ x 4 ¾ in.
23 ⅝ x 20 ½ x 4 ¾ in.
Miren Doiz
Untitled (End it all to start over), 2025
Wood, paper, ceramics and paint
60 x 52 x 12 cm
23 ⅝ x 20 ½ x 4 ¾ in.
23 ⅝ x 20 ½ x 4 ¾ in.
Diana Fonseca
Freedom draws a difficult landscape, 2025-2026
Installation / Padlocks and vegetation
Variable dimensions
Variable dimensions
Diana Fonseca
Freedom draws a difficult landscape, 2025-2026
Installation / Padlocks and vegetation
Variable dimensions
Variable dimensions
Leandro Feal
Untitled, from the series «Green Havana», 2020-2022
UltraChrome print on 310 g/m² Museum Rag Photo Etching paper; black and white photograph from a green-toned negative
180 x 112 cm
70 ⅞ x 44 ⅛ in.
Edition of 3 copies plus 1 artist's proof
UltraChrome print on 310 g/m² Museum Rag Photo Etching paper; black and white photograph from a green-toned negative
180 x 112 cm
70 ⅞ x 44 ⅛ in.
Edition of 3 copies plus 1 artist's proof
Miki Leal
Koenig overlooking Avignon, from Shulman series, 2026
Acrylic and watercolor on Canson Montval 300 g paper
220 x 152 cm
86 ⅝ x 59 ⅞ in.
(Dimensions of the work excluding the frame)
220 x 152 cm
86 ⅝ x 59 ⅞ in.
(Dimensions of the work excluding the frame)
Leandro Feal
Untitled, from the series «Green Havana», 2020-2022
UltraChrome print on 310 g/m² Museum Rag Photo Etching paper; black and white photograph from a green-toned negative
180 x 112 cm
70 ⅞ x 44 ⅛ in.
Edition of 3 copies plus 1 artist's proof
UltraChrome print on 310 g/m² Museum Rag Photo Etching paper; black and white photograph from a green-toned negative
180 x 112 cm
70 ⅞ x 44 ⅛ in.
Edition of 3 copies plus 1 artist's proof
Miki Leal
Koenig overlooking Avignon, from Shulman series, 2026
Acrylic and watercolor on Canson Montval 300 g paper
220 x 152 cm
86 ⅝ x 59 ⅞ in.
(Dimensions of the work excluding the frame)
220 x 152 cm
86 ⅝ x 59 ⅞ in.
(Dimensions of the work excluding the frame)
views of the exhibition
