A Personal (and Guilty) Landscape, 2024
Installation / Iron, wood, glass, plastic, rubber, tile, rope, fabric, adhesive tape, sneakers, clothing, cans
empty paint cans, glue, wood glue, dried paint, linoleum, resin, and acrylic paint, among other items
Variable dimensions
This is the second part of a project that emerged in 2022 from personal reflections directly related to the situation caused by the pandemic. It is an installation made from things, mostly personal and others found, that had accompanied me and that I had accumulated over the years. The result was an installation that formally adopted the appearance of a natural environment, almost a forest.
I reflect among other issues on the fact that our current consumption model is devastating our planet or is happening as a result of the massive use of plastic. The latter, a hyperobject, as defined by Anthony Morton, is massively distributed in time and space in relation to humans. And that not only surrounds us but through water and food has already begun to form part of our organisms and interact with our DNA. It is curious that geologists have begun to study it as a new dominant mineral in our time: the Anthropocene.
PROJECT CARRIED OUT WITH THE AID FOR THE CREATION OF NAVARRA AND AID FOR CREATION 2023 OF THE COMMUNITY OF MADRID










