{"id":23735,"date":"2026-06-27T16:09:28","date_gmt":"2026-06-27T14:09:28","guid":{"rendered":"https:\/\/artapartamento.com\/?page_id=23735"},"modified":"2026-06-27T16:11:29","modified_gmt":"2026-06-27T14:11:29","slug":"record-of-changes-to-the-devils-attribute","status":"publish","type":"page","link":"https:\/\/artapartamento.com\/en\/registro-de-variaciones-del-atributo-del-diablo\/","title":{"rendered":"Record of Changes to the Devil's Attribute"},"content":{"rendered":"
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\"The<\/figure><\/a><\/div>\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Lazaro A. Saavedra<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Record of Changes in the Devil's Attribute, 2020\u20132026<\/p>

Installation<\/p>

Variable dimensions<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The exhibition views the image not as an isolated unit, but as the result of repetitions, variations, and processes of transmission. Based on this premise, it brings together works that demonstrate how a form can be perceived as stable or definitive when, in reality, it arises from a series of material and visual operations.<\/p>

The archive is not presented as a repository, but rather as a relational structure that allows us to see differences, correspondences, and transformations between works. When arranged in a series, the images reveal the processes that produce them.<\/p>

The project explores the production of images and the ways in which a form is constituted, transformed, and ultimately becomes legible.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tInquiry<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Registro de variaciones del atributo del Diablo, 2020-2026 Instalaci\u00f3n Dimensiones variables La muestra entiende la imagen no como una unidad aislada, sino como el resultado de repeticiones, variaciones y procesos de transmisi\u00f3n. A partir de esta hip\u00f3tesis, re\u00fane obras que muestran c\u00f3mo una forma puede percibirse como estable o definitiva cuando, en realidad, surge de […]<\/p>\n","protected":false},"author":1,"featured_media":23423,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[50],"tags":[65],"class_list":["post-23735","page","type-page","status-publish","has-post-thumbnail","hentry","category-lazaro-saavedra","tag-obra","post","post-with-thumbnail","post-with-thumbnail-large"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t