{"id":23718,"date":"2026-06-27T16:03:14","date_gmt":"2026-06-27T14:03:14","guid":{"rendered":"https:\/\/artapartamento.com\/?page_id=23718"},"modified":"2026-06-27T16:04:57","modified_gmt":"2026-06-27T14:04:57","slug":"variacion-del-caballo-de-bastos-i-cascos","status":"publish","type":"page","link":"https:\/\/artapartamento.com\/en\/variacion-del-caballo-de-bastos-i-cascos\/","title":{"rendered":"Variation on the \"Caballo de Bastos\" I (Hooves)"},"content":{"rendered":"
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\"The<\/figure><\/a><\/div>\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Lazaro A. Saavedra<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Variaci\u00f3n del caballo de bastos I (Cascos), 2022-2024<\/p>

Installation<\/p>

Color tests on canvas, test sheets for nibs, and nib tips<\/p>

200 x 560 cm (78.7 x 220 in)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The exhibition views the image not as an isolated unit, but as the result of repetitions, variations, and processes of transmission. Based on this premise, it brings together works that demonstrate how a form can be perceived as stable or definitive when, in reality, it arises from a series of material and visual operations.<\/p>

The archive is not presented as a repository, but rather as a relational structure that allows us to see differences, correspondences, and transformations between works. When arranged in a series, the images reveal the processes that produce them.<\/p>

The project explores the production of images and the ways in which a form is constituted, transformed, and ultimately becomes legible.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tInquiry<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Variaci\u00f3n del caballo de bastos I (Cascos), 2022-2024 Instalaci\u00f3n Pruebas de color sobre lienzo, hojas de pruebas de plumillas y puntas de plumillas 200 x 560 cm (78.7 x 220 in) La muestra entiende la imagen no como una unidad aislada, sino como el resultado de repeticiones, variaciones y procesos de transmisi\u00f3n. A partir de […]<\/p>\n","protected":false},"author":1,"featured_media":23419,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[50],"tags":[65],"class_list":["post-23718","page","type-page","status-publish","has-post-thumbnail","hentry","category-lazaro-saavedra","tag-obra","post","post-with-thumbnail","post-with-thumbnail-large"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t