{"id":19,"date":"2023-08-15T20:08:14","date_gmt":"2023-08-15T18:08:14","guid":{"rendered":"https:\/\/artapartamento.com\/?page_id=19"},"modified":"2025-03-28T16:11:54","modified_gmt":"2025-03-28T15:11:54","slug":"news","status":"publish","type":"page","link":"https:\/\/artapartamento.com\/en\/noticias\/","title":{"rendered":"news"},"content":{"rendered":"\t\t
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noticias<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Lowe Art Museum at UM Presents Powerful 200 Years of Afro-Cuban Art<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Lowe Art Museum<\/strong>
\n\nCuba is the largest country in the Caribbean. A participant in and of copious universal changes, it's been ruled in the past by Spain and the U.S. as well as a brief British occupation, creating a multi-cultural heritage heavily augmented by approximately 800,000 enslaved Africans brought mainly from West Africa, close to twice as many as the United States, between 1808 and 1820 during the sugar and coffee boom. A variety of situations and the melding of cultures fueled personal upheaval that conveyed profound depth of creativity to these islands.<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Lowe Art Museum unveils world\u2019s largest exhibition of Afro-Cuban art in Coral Gables<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Lowe Art Museum<\/strong>
\n\n\u201cAfrocubanismo\u201d is a parallel project meant to be viewed in conversation with \u201cEl Pasado M\u00edo.\u201d All of the artists featured in this exhibition were racialized as white during their lives, with the exception of Wifredo Lam, a celebrated Afro-Cuban painter, considered by some to be the most prominent \u2014 and by others, the only \u2014 Afrodescendant artist in Cuba in the 20th century.<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Largest Exhibition of Afro-Cuban Art Ever Staged Is Now on View in Miami<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Lowe Art Museum<\/strong>
\n\nThe Lowe Art Museum at the University of Miami is celebrating that legacy with the largest survey of Afro-Cuban art ever staged. Two exhibitions bring together more than 100 works by 58 artists, tracing 200 years of creativity and exploring the many ways African heritage has shaped Cuban art.<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Nacho Mart\u00edn Silva | Tangere<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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La T\u00e9rmica<\/strong>
\n\nTangere toma el t\u00edtulo de una sentencia que escribi\u00f3 John Alfred Charlton Deas en What the Blind May \u2018See\u2019: Some Museum and Other Experiments in Tactile Sight. En este libro, el muse\u00f3grafo del brit\u00e1nico Sunderland Museum narra las experiencias generadas en unas pioneras sesiones de inclusividad en las que personas invidentes, de distinto g\u00e9nero y edad, tocaban y experimentaban los objetos de la colecci\u00f3n. John Alfred Charlton Deas, al describir aquellos episodios, sentenci\u00f3: To them, their fingers are eyes.<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Nacho Mart\u00edn Silva. Solo show at La T\u00e9rmica, M\u00e1laga<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Max Estrella<\/strong>
\n\nLa T\u00e9rmica inaugura Tangere, una exposici\u00f3n de pintura de Nacho Mart\u00edn Silva pensada para visitantes ciegos y con discapacidad visual. Esta nueva producci\u00f3n propia, comisariada por Juan Francisco Rueda y desarrollada en colaboraci\u00f3n con la Delegaci\u00f3n de la ONCE en M\u00e1laga, estar\u00e1 abierta al p\u00fablico hasta el 20 de septiembre. Tangere involucra activamente a personas ciegas como colaboradoras en el proyecto, haciendo de la inclusi\u00f3n una parte esencial de la experiencia art\u00edstica.<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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La T\u00e9rmica inaugura \u2018Tangere\u2019, una exposici\u00f3n de pintura de Nacho Mart\u00edn Silva para invidentes<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Diputaci\u00f3n Provincial de M\u00e1laga<\/strong>
\n\nLa nueva exposici\u00f3n de producci\u00f3n propia, comisariada por Juan Francisco Rueda y desarrollada en colaboraci\u00f3n con la Delegaci\u00f3n de la ONCE en M\u00e1laga, podr\u00e1 visitarse hasta el pr\u00f3ximo 20 de septiembre. 'Tangere' incorpora la participaci\u00f3n de personas invidentes como colaboradoras del proyecto, haciendo de la inclusi\u00f3n una parte esencial de la experiencia art\u00edstica.<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Cargando noticias<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tLowe Art Museum at UM Presents Powerful 200 Years of Afro-Cuban Art\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Lowe Art Museum<\/strong><\/p>\n

Cuba is the largest country in the Caribbean. A participant in and of copious universal changes, it’s been ruled in the past by Spain and the U.S. as well as a brief British occupation, creating a multi-cultural heritage heavily augmented by approximately 800,000 enslaved Africans brought mainly from West Africa, close to twice as many as the United States, between 1808 and 1820 during the sugar and coffee boom. A variety of situations and the melding of cultures fueled personal upheaval that conveyed profound depth of creativity to these islands.<\/p>\n\t\t<\/div>\n\t\t\t\t\t

\n\t\t\n\t\t\n\t\t\tLeer m\u00e1s\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tLowe Art Museum unveils world\u2019s largest exhibition of Afro-Cuban art in Coral Gables\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Lowe Art Museum<\/strong><\/p>\n

\u201cAfrocubanismo\u201d is a parallel project meant to be viewed in conversation with \u201cEl Pasado M\u00edo.\u201d All of the artists featured in this exhibition were racialized as white during their lives, with the exception of Wifredo Lam, a celebrated Afro-Cuban painter, considered by some to be the most prominent \u2014 and by others, the only \u2014 Afrodescendant artist in Cuba in the 20th century.<\/p>\n\t\t<\/div>\n\t\t\t\t\t

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\n\t\t\t\n\t\t\t\tLargest Exhibition of Afro-Cuban Art Ever Staged Is Now on View in Miami\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Lowe Art Museum<\/strong><\/p>\n

The Lowe Art Museum at the University of Miami is celebrating that legacy with the largest survey of Afro-Cuban art ever staged. Two exhibitions bring together more than 100 works by 58 artists, tracing 200 years of creativity and exploring the many ways African heritage has shaped Cuban art.<\/p>\n\t\t<\/div>\n\t\t\t\t\t

\n\t\t\n\t\t\n\t\t\tLeer m\u00e1s\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tNacho Mart\u00edn Silva | Tangere\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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La T\u00e9rmica<\/strong><\/p>\n

Tangere toma el t\u00edtulo de una sentencia que escribi\u00f3 John Alfred Charlton Deas en What the Blind May \u2018See\u2019: Some Museum and Other Experiments in Tactile Sight. En este libro, el muse\u00f3grafo del brit\u00e1nico Sunderland Museum narra las experiencias generadas en unas pioneras sesiones de inclusividad en las que personas invidentes, de distinto g\u00e9nero y edad, tocaban y experimentaban los objetos de la colecci\u00f3n. John Alfred Charlton Deas, al describir aquellos episodios, sentenci\u00f3: To them, their fingers are eyes.<\/p>\n\t\t<\/div>\n\t\t\t\t\t

\n\t\t\n\t\t\n\t\t\tLeer m\u00e1s\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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\"Nacho<\/div>\n\t\t<\/a>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tNacho Mart\u00edn Silva. Solo show at La T\u00e9rmica, M\u00e1laga\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Max Estrella<\/strong><\/p>\n

La T\u00e9rmica inaugura Tangere, una exposici\u00f3n de pintura de Nacho Mart\u00edn Silva pensada para visitantes ciegos y con discapacidad visual. Esta nueva producci\u00f3n propia, comisariada por Juan Francisco Rueda y desarrollada en colaboraci\u00f3n con la Delegaci\u00f3n de la ONCE en M\u00e1laga, estar\u00e1 abierta al p\u00fablico hasta el 20 de septiembre. Tangere involucra activamente a personas ciegas como colaboradoras en el proyecto, haciendo de la inclusi\u00f3n una parte esencial de la experiencia art\u00edstica.<\/p>\n\t\t<\/div>\n\t\t\t\t\t

\n\t\t\n\t\t\n\t\t\tLeer m\u00e1s\t\t<\/a>\n\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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\"Nacho<\/div>\n\t\t<\/a>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tLa T\u00e9rmica inaugura \u2018Tangere\u2019, una exposici\u00f3n de pintura de Nacho Mart\u00edn Silva para invidentes\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Diputaci\u00f3n Provincial de M\u00e1laga<\/strong><\/p>\n

La nueva exposici\u00f3n de producci\u00f3n propia, comisariada por Juan Francisco Rueda y desarrollada en colaboraci\u00f3n con la Delegaci\u00f3n de la ONCE en M\u00e1laga, podr\u00e1 visitarse hasta el pr\u00f3ximo 20 de septiembre. ‘Tangere’ incorpora la participaci\u00f3n de personas invidentes como colaboradoras del proyecto, haciendo de la inclusi\u00f3n una parte esencial de la experiencia art\u00edstica.<\/p>\n\t\t<\/div>\n\t\t\t\t\t

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