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PT Atalaya
Adislen Kings - Adrian Melis - Arlés del Rio - Diana Fonseca - Eduardo Ponjuán - Ezequiel Suárez - Flavio Garciandía - larry - Juan Carlos Alom - Leandro Feal - Lester Alvarez - Levi Orta - Luis Enrique López-Chávez - Orestes Hernández - Osvaldo González Aguiar - Raúl Cordero - Reynier Leyva Novo - Victor Piverno - Wilfredo Prieto - Yaima Carrazana - Yornel Martinez
December 15, 2017 - February, 2018
Taller Gorría Gallery
Text
works
Lester Alvarez
Self-portrait between two large blue doors, 2011
Oil on canvas
115 x 185 cm
Self-portrait between two large blue doors, 2011
Oil on canvas
115 x 185 cm
Larry
From the Series "Bad paint is pronounced like some exclusive proper nouns: Winona", 2017
Oil and acrylic on canvas
Variable dimensions
From the Series "Bad paint is pronounced like some exclusive proper nouns: Winona", 2017
Oil and acrylic on canvas
Variable dimensions
Diana Fonseca
Still point, 2017
Sharp objects on the wall
Variable dimensions
Still point, 2017
Sharp objects on the wall
Variable dimensions
Lester Alvarez
Self-portrait between two large blue doors, 2011
Oil on canvas
115 x 185 cm
Self-portrait between two large blue doors, 2011
Oil on canvas
115 x 185 cm
Larry
From the Series "Bad paint is pronounced like some exclusive proper nouns: Winona", 2017
Oil and acrylic on canvas
Variable dimensions
From the Series "Bad paint is pronounced like some exclusive proper nouns: Winona", 2017
Oil and acrylic on canvas
Variable dimensions
Diana Fonseca
Still point, 2017
Sharp objects on the wall
Variable dimensions
Still point, 2017
Sharp objects on the wall
Variable dimensions
Eduardo Ponjuán
Birches, 2017
Oil on canvas
200 x 300 cm
Birches, 2017
Oil on canvas
200 x 300 cm
Carlos Garaicoa
Photo-topography (Vieja linda), 2012
Photo transferred to polyspan
81 x 101 cm
Photo-topography (Vieja linda), 2012
Photo transferred to polyspan
81 x 101 cm
Yornel Martinez
A fly in a glass of milk (Detail), 2014
Vinyl on wall
Variable dimensions
A fly in a glass of milk (Detail), 2014
Vinyl on wall
Variable dimensions
Eduardo Ponjuán
Birches, 2017
Oil on canvas
200 x 300 cm
Birches, 2017
Oil on canvas
200 x 300 cm
Carlos Garaicoa
Photo-topography (Vieja linda), 2012
Photo transferred to polyspan
81 x 101 cm
Photo-topography (Vieja linda), 2012
Photo transferred to polyspan
81 x 101 cm
Yornel Martinez
A fly in a glass of milk (Detail), 2014
Vinyl on wall
Variable dimensions
A fly in a glass of milk (Detail), 2014
Vinyl on wall
Variable dimensions
Miguel A. Machado
Chicken fight (Triptych), 2017
Oil on canvas
120 x 130 cm (each)
Chicken fight (Triptych), 2017
Oil on canvas
120 x 130 cm (each)
Miguel A. Machado
Chicken fight (Triptych), 2017
Oil on canvas
120 x 130 cm (each)
Chicken fight (Triptych), 2017
Oil on canvas
120 x 130 cm (each)
Leandro Feal
Twelve studies for a femme fatale, 2017
Photographic installation in 12 pieces
61 x 80 cm (each)
Ed. 2/3 (Edition of 3 + 1 P/A)
Twelve studies for a femme fatale, 2017
Photographic installation in 12 pieces
61 x 80 cm (each)
Ed. 2/3 (Edition of 3 + 1 P/A)
Miguel A. Machado
Chicken fight (Triptych), 2017
Oil on canvas
120 x 130 cm (each)
Chicken fight (Triptych), 2017
Oil on canvas
120 x 130 cm (each)
Miguel A. Machado
Chicken fight (Triptych), 2017
Oil on canvas
120 x 130 cm (each)
Chicken fight (Triptych), 2017
Oil on canvas
120 x 130 cm (each)
Leandro Feal
Twelve studies for a femme fatale, 2017
Photographic installation in 12 pieces
61 x 80 cm (each)
Ed. 2/3 (Edition of 3 + 1 P/A)
Twelve studies for a femme fatale, 2017
Photographic installation in 12 pieces
61 x 80 cm (each)
Ed. 2/3 (Edition of 3 + 1 P/A)
Osvaldo González Aguiar
Lagoons, 2007-2017
Work in situ/ Precinta
Variable dimensions
Lagoons, 2007-2017
Work in situ/ Precinta
Variable dimensions
Ezequiel Suárez
From the Ladas series (young black man with a chin), 2004-2017
Collage, digital print on pages of the book "Founders of the PCC".
35.5 x 28.5 cm (each)
From the Ladas series (young black man with a chin), 2004-2017
Collage, digital print on pages of the book "Founders of the PCC".
35.5 x 28.5 cm (each)
Adrian Melis
Glories of a forgotten future, 2016
Three-channel video
12:00 min.
Ed. 2/3 (Edition of 3)
Glories of a forgotten future, 2016
Three-channel video
12:00 min.
Ed. 2/3 (Edition of 3)
Osvaldo González Aguiar
Lagoons, 2007-2017
Work in situ/ Precinta
Variable dimensions
Lagoons, 2007-2017
Work in situ/ Precinta
Variable dimensions
Ezequiel Suárez
From the Ladas series (young black man with a chin), 2004-2017
Collage, digital print on pages of the book "Founders of the PCC".
35.5 x 28.5 cm (each)
From the Ladas series (young black man with a chin), 2004-2017
Collage, digital print on pages of the book "Founders of the PCC".
35.5 x 28.5 cm (each)
Adrian Melis
Glories of a forgotten future, 2016
Three-channel video
12:00 min.
Ed. 2/3 (Edition of 3)
Glories of a forgotten future, 2016
Three-channel video
12:00 min.
Ed. 2/3 (Edition of 3)
Flavio Garciandía
Untitled (Polyptych in four parts), 1987
Oil on canvas
56 x 60 cm. each
Untitled (Polyptych in four parts), 1987
Oil on canvas
56 x 60 cm. each
Arlés del Rio
Untitled, 2017
Fabric and polyester resin
56 x 50 x 45 cm
Untitled, 2017
Fabric and polyester resin
56 x 50 x 45 cm
Reynier Leyva Novo
From "A Happy Day" Series, MT No. 7, 2016
Ultrachrome print on Canson 310 g paper
58 x 83 cm. Edition of 3 + 2 P/A
From "A Happy Day" Series, MT No. 7, 2016
Ultrachrome print on Canson 310 g paper
58 x 83 cm. Edition of 3 + 2 P/A
Flavio Garciandía
Untitled (Polyptych in four parts), 1987
Oil on canvas
56 x 60 cm. each
Untitled (Polyptych in four parts), 1987
Oil on canvas
56 x 60 cm. each
Arlés del Rio
Untitled, 2017
Fabric and polyester resin
56 x 50 x 45 cm
Untitled, 2017
Fabric and polyester resin
56 x 50 x 45 cm
Reynier Leyva Novo
From "A Happy Day" Series, MT No. 7, 2016
Ultrachrome print on Canson 310 g paper
58 x 83 cm. Edition of 3 + 2 P/A
From "A Happy Day" Series, MT No. 7, 2016
Ultrachrome print on Canson 310 g paper
58 x 83 cm. Edition of 3 + 2 P/A
Reynier Leyva Novo
From "A Happy Day" Series, MT No. 2, 2016
Ultrachrome print on Canson 310 g paper
83 × 58 cm / 10 x 7 cm.
Edition of 3 + 2 P/A
From "A Happy Day" Series, MT No. 2, 2016
Ultrachrome print on Canson 310 g paper
83 × 58 cm / 10 x 7 cm.
Edition of 3 + 2 P/A
Reynier Leyva Novo
From "A Happy Day" Series, FF No. 4, 2016
Ultrachrome print on Canson 310 g paper
58 x 58 cm / 10 x 10 cm.
Edition of 3 + 2 P/A
From "A Happy Day" Series, FF No. 4, 2016
Ultrachrome print on Canson 310 g paper
58 x 58 cm / 10 x 10 cm.
Edition of 3 + 2 P/A
Yaima Carrazana
Statement Letter No.1.3, 2016
Oil on canvas
70 x 50 cm
Statement Letter No.1.3, 2016
Oil on canvas
70 x 50 cm
Reynier Leyva Novo
From "A Happy Day" Series, MT No. 2, 2016
Ultrachrome print on Canson 310 g paper
83 × 58 cm / 10 x 7 cm.
Edition of 3 + 2 P/A
From "A Happy Day" Series, MT No. 2, 2016
Ultrachrome print on Canson 310 g paper
83 × 58 cm / 10 x 7 cm.
Edition of 3 + 2 P/A
Reynier Leyva Novo
From "A Happy Day" Series, FF No. 4, 2016
Ultrachrome print on Canson 310 g paper
58 x 58 cm / 10 x 10 cm.
Edition of 3 + 2 P/A
From "A Happy Day" Series, FF No. 4, 2016
Ultrachrome print on Canson 310 g paper
58 x 58 cm / 10 x 10 cm.
Edition of 3 + 2 P/A
Yaima Carrazana
Statement Letter No.1.3, 2016
Oil on canvas
70 x 50 cm
Statement Letter No.1.3, 2016
Oil on canvas
70 x 50 cm
Yaima Carrazana
Statement Letter No.3, 2016
Oil on canvas
70 x 50 cm
Statement Letter No.3, 2016
Oil on canvas
70 x 50 cm
Yaima Carrazana
Fine No.2, 2016
Oil on canvas
70 x 50 cm
Fine No.2, 2016
Oil on canvas
70 x 50 cm
Levi Orta
Sinister depoliticization, 2016
Polychrome wood
Variable dimensions
Sinister depoliticization, 2016
Polychrome wood
Variable dimensions
Yaima Carrazana
Statement Letter No.3, 2016
Oil on canvas
70 x 50 cm
Statement Letter No.3, 2016
Oil on canvas
70 x 50 cm
Yaima Carrazana
Fine No.2, 2016
Oil on canvas
70 x 50 cm
Fine No.2, 2016
Oil on canvas
70 x 50 cm
Levi Orta
Sinister depoliticization, 2016
Polychrome wood
Variable dimensions
Sinister depoliticization, 2016
Polychrome wood
Variable dimensions
Luis Enrique López-Chávez
It's Useless, 2016
White neon billboard
4,5 x 1,35 x 0,13 m.
Edition of 3 + 2 P/A
It's Useless, 2016
White neon billboard
4,5 x 1,35 x 0,13 m.
Edition of 3 + 2 P/A
Raúl Cordero
Tropical Painting 1 (God gave us...), 2017
Oil and polyester on canvas
175 x 145 cm
Tropical Painting 1 (God gave us...), 2017
Oil and polyester on canvas
175 x 145 cm
Linet Sanchez
Untitled, 2017
Passe-partout and foam
42 x 42 x 36 cm
Untitled, 2017
Passe-partout and foam
42 x 42 x 36 cm
Luis Enrique López-Chávez
It's Useless, 2016
White neon billboard
4,5 x 1,35 x 0,13 m.
Edition of 3 + 2 P/A
It's Useless, 2016
White neon billboard
4,5 x 1,35 x 0,13 m.
Edition of 3 + 2 P/A
Raúl Cordero
Tropical Painting 1 (God gave us...), 2017
Oil and polyester on canvas
175 x 145 cm
Tropical Painting 1 (God gave us...), 2017
Oil and polyester on canvas
175 x 145 cm
Linet Sanchez
Untitled, 2017
Passe-partout and foam
42 x 42 x 36 cm
Untitled, 2017
Passe-partout and foam
42 x 42 x 36 cm
Lester Alvarez
Self-portrait between two large blue doors, 2011
Oil on canvas
115 x 185 cm
Self-portrait between two large blue doors, 2011
Oil on canvas
115 x 185 cm
larry
From the Series "Bad paint is pronounced like some exclusive proper nouns: Winona", 2017
Oil and acrylic on canvas
Variable dimensions
From the Series "Bad paint is pronounced like some exclusive proper nouns: Winona", 2017
Oil and acrylic on canvas
Variable dimensions
Diana Fonseca
Still point, 2017
Sharp objects on the wall
Variable dimensions
Still point, 2017
Sharp objects on the wall
Variable dimensions
Lester Alvarez
Self-portrait between two large blue doors, 2011
Oil on canvas
115 x 185 cm
Self-portrait between two large blue doors, 2011
Oil on canvas
115 x 185 cm
larry
From the Series "Bad paint is pronounced like some exclusive proper nouns: Winona", 2017
Oil and acrylic on canvas
Variable dimensions
From the Series "Bad paint is pronounced like some exclusive proper nouns: Winona", 2017
Oil and acrylic on canvas
Variable dimensions
Diana Fonseca
Still point, 2017
Sharp objects on the wall
Variable dimensions
Still point, 2017
Sharp objects on the wall
Variable dimensions
views of the exhibition
