the substance of being

Álvaro quior, bisila noha, christian lagata, esther gatón, fuentesal arenillas,
iñaki domingo, jimena kato, kiko pérez, tamara arroyo

curated by omar lópez-chahoud

February 22 - May 11, 2024

El Apartamento (Project Room), Madrid

La sustancia del ser
La sustancia del ser
The project "The Substance of Being", curated by Omar Lopez-Chahoud, brings together a selection of young Spanish artists around an analysis of the latest trends in Conceptual Art. The curator draws attention to new artistic proposals through the work of Álvaro Chior, Bisíla Noha, Christian Lagata, Esther Gatón, Fuentesal Arenillas, Iñaki Domingo, Jimena Kato, Kiko Pérez and Tamara Arroyo.

The main focus of the exhibition is to reflect on the strategies of conceptual dismantling and personal exploration developed by these artists when questioning the essential aspects of human existence. The curator makes visible a type of practice that insists on the crossover between different fields of knowledge such as Anthropology, Archaeology, Cultural Studies, Architecture, Design, and Linguistics; that crosses different media or artistic languages and explores the possibilities of the art-object as a new type of historical archive; that focuses on the abstraction of fundamental concepts for contemporary culture and, at the same time, revises our notions of the abstract from a poetic approach. This allows us to venture into the enunciation of concepts such as post-conceptualism and post-abstraction. The exhibition also reveals the cultural concerns and socio-political obsessions of the new generations of Spanish artists.

Omar López-Chahoud, independent curator based in New York (USA). He is Artistic Director and Curator of Untitled Art (Miami Beach, Florida, USA) since its founding in 2012. He is International Director of Y.ES Contemporary - The Robert S. Wennett and Mario Cader-Frech Foundation. As an independent curator he has curated and co-curated numerous exhibitions in the United States and internationally. He has participated in curatorial panel discussions at Artists' Space, Art in General, MoMA PS1 and the Whitney Museum of American Art in New York City. Lopez-Chahoud holds Master of Fine Arts degrees from Yale University School of Art and the Royal Academy of Art in London.
La sustancia del ser

works

Alvaro Quior
Score 1, 2023
Plasma treated steel
49.5 x 35 cm (19.5 x 13.8 in)

Alvaro Quior
Score 2, 2023
Plasma treated steel
49.5 x 35 cm (19.5 x 13.8 in)

Alvaro Quior
Score 3, 2023
Plasma treated steel
49.5 x 35 cm (19.5 x 13.8 in)

Alvaro Quior
Score 1, 2023
Plasma treated steel
49.5 x 35 cm (19.5 x 13.8 in)

Alvaro Quior
Score 2, 2023
Plasma treated steel
49.5 x 35 cm (19.5 x 13.8 in)

Alvaro Quior
Score 3, 2023
Plasma treated steel
49.5 x 35 cm (19.5 x 13.8 in)

Christian Lagata
Fire Sun III, 2022
Installation / Dry thistles, salt rocks, brass, metal rods and canvas.
210 x 180 x 100 cm (210 x 180 x 100 cm) (82.7 x 70.9 x 39.4 in)

Jimena Kato
Feathers score, 2023
Jute and feathers
150 x 100 cm (59 x 39.4 in)

Jimena Kato
Totem, 2022
Printing on Hahnemühle paper
30 x 40 cm (11.8 x 15.7 in)

Christian Lagata
Fire Sun III, 2022
Installation / Dry thistles, salt rocks, brass, metal rods and canvas.
210 x 180 x 100 cm (210 x 180 x 100 cm) (82.7 x 70.9 x 39.4 in)

Jimena Kato
Feathers score, 2023
Jute and feathers
150 x 100 cm (59 x 39.4 in)

Jimena Kato
Totem, 2022
Printing on Hahnemühle paper
30 x 40 cm (11.8 x 15.7 in)

Iñaki Domingo
Double vertical specular pyramid b/w, 2019
Mural sculpture
72 x 106 x 10 cm (28.3 x 41.7 x 3.9 in)

Tamara Arroyo
Palm Tree, 2017-2023
Iron and enamel
146 x 96 x 36 cm (57.5 x 37.8 x 14.2 in)

Tamara Arroyo
Solid wall as background
for ornamental elements, 2023
Sculpture / Stoneware ceramics
Variable dimensions

Iñaki Domingo
Double vertical specular pyramid b/w, 2019
Mural sculpture
72 x 106 x 10 cm (28.3 x 41.7 x 3.9 in)

Tamara Arroyo
Palm Tree, 2017-2023
Iron and enamel
146 x 96 x 36 cm (57.5 x 37.8 x 14.2 in)

Tamara Arroyo
Solid wall as background
for ornamental elements, 2023
Sculpture / Stoneware ceramics
Variable dimensions

Esther Gatón
Use a pet name, 2023
Wood, walnut, clay, acrylic paint,
pastel, metallic effects
48 x 30 cm (18.9 x 11.8 in)

Esther Gatón
My jaw is on the floor, 2023
Digital video 16"40' (Video stills)
Variable dimensions

Jimena Kato
Dream Catcher, 2021
91 glazed ceramic pieces
Variable dimensions

Esther Gatón
Use a pet name, 2023
Wood, walnut, clay, acrylic paint,
pastel, metallic effects
48 x 30 cm (18.9 x 11.8 in)

Esther Gatón
My jaw is on the floor, 2023
Digital video 16"40' (Video stills)
Variable dimensions

Jimena Kato
Dream Catcher, 2021
91 glazed ceramic pieces
Variable dimensions

Kiko Pérez
Untitled, 2018
Oil painting and collage on paper and wood
159 x 119 cm (62.6 x 46.9 in)

Fuentesal Arenillas
Tangram III and IV,
2018,
Medium density fiberboard, methacrylate and mahogany,
112 x 58 x 2.5 cm (each) (44 x 22 x 1 in.)

Tamara Arroyo
Eudaimonia (San Isidro Park), 2021
Sculpture / Enamel on iron
70 x 92 x 1.5 cm (27.6 x 36.2 x 0.5 in)

Kiko Pérez
Untitled, 2018
Oil painting and collage on paper and wood
159 x 119 cm (62.6 x 46.9 in)

Fuentesal Arenillas
Tangram III and IV,
2018,
Medium density fiberboard, methacrylate and mahogany,
112 x 58 x 2.5 cm (each) (44 x 22 x 1 in.)

Tamara Arroyo
Eudaimonia (San Isidro Park), 2021
Sculpture / Enamel on iron
70 x 92 x 1.5 cm (27.6 x 36.2 x 0.5 in)

Bisila Noha
Meeting XIV, 2022
Thrown, rolled and sculpted terracotta
25 x 10 x 21.5 cm (9.8 x 3.9 x 8.5 in)

Bisila Noha
Ignis III, 2022
Terracotta and plaster cast, rolled and sculpted
26 x 12 x 22.5 cm (10.2 x 4.7 x 8.9 in)

Bisila Noha
Dancing Goddess, 2022
Sculpted terracotta
25 x 10 x 21.5 cm (9.8 x 3.9 x 8.5 in)

Bisila Noha
Meeting XIV, 2022
Thrown, rolled and sculpted terracotta
25 x 10 x 21.5 cm (9.8 x 3.9 x 8.5 in)

Bisila Noha
Ignis III, 2022
Terracotta and plaster cast, rolled and sculpted
26 x 12 x 22.5 cm (10.2 x 4.7 x 8.9 in)

Bisila Noha
Dancing Goddess, 2022
Sculpted terracotta
25 x 10 x 21.5 cm (9.8 x 3.9 x 8.5 in)

Christian Lagata
Spaces for expectation (film), 2021
6 x 7 digitized negative / inkjet on 188g Hahnemülhe cotton paper and aluminum frame
30 x 40 cm (11.8 x 15.7 in)

Christian Lagata
Spaces for expectation (film), 2021
6 x 7 digitized negative / inkjet on 188g Hahnemülhe cotton paper and aluminum frame
30 x 40 cm (11.8 x 15.7 in)

views of the exhibition